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01-01-09 | 07:24 am
Blackpool Gazette
Memory Lane By Craig
Fleming
From taboo to tangos
GLAMOUR, Movement, Fascination.
Or, as playwright George
Bernard Shaw once described it: A
very crude attempt to get into the
rhythm of life.
We’re talking about ballroom dancing
and there’s plenty of it going on until Friday
at the 84th annual Blackpool Dance
Festival.
From social taboo to
social activity and
Olympic sport, its
metamorphosis has
taken 100 years – little of
which has been recorded.
Until now.
Who were the people
who moved this field of
dance to where it is today,
loved by millions? This is
the central question of a
£105 a time coffee table book – Ballroom
Icons – which Canada-based
German-born dance teacher/coach and adjudicator
Brigitt Mayer-Karakis has been
working on for the last seven years.
   
The book, about people and their enthusiasm
and tenacious love for ballroom
dancing, was finally unveiled at the
festival in the Winter Gardens last night
at a glittering reception when the guest
speaker was British Dance Council president
Bryan Allen.
Described as a journey through the
lives of dancers, doers and devotees of
the ballroom world, this limited luxury
edition of 2,500 books, no doubt soon to
become a collector’s
item, comes in a beautiful
dark linen box
with embossed print.
There is a fold out
with over 200 vintage
pictures from the
icons in action in
their time, dating
back to 1910, with
testimonies from
former world
champions about
their favourite icons.
Brigitt says: “Living in this field of
dance for so long, it was my vision to create
a book that through its format is a
piece of art, and through its content a
true and intriguing documentation of
ballroom dance history. I hope that it is
also a pleasure to read.”
  
A familiar local face in the book is Gill
MacKenzie, who joined the Blackpool
Tower Company publicity department
in 1973 and, worked for successive owners
Trusthouse Forte Leisure, First
Leisure and Leisure Parcs.
Organiser of the Blackpool Dance Festival
organiser from 1981 until her retirement
in 2004, Gill is featured in pictures
and words over four pages as the
story of the festival unfolds, from its
early years as very much a north of England
championship to its world status
today. This year’s event sees a total of 122
British couples and 1,685 foreign couples
from a total of 58 countries taking part
in the various Amateur, Senior and Professional
Ballroom and Latin events.
  
Craig Fleming, The Blackpool Gazette
07-07-07 | 10:35 am
A word from the Author
Glamour, movement, fascination…this is ballroom dancing.
The desire to move graciously on the floor seems synonymous with the way we want to move through life.
Still a relatively young form of physical activity, ballroom dancing has developed through many stages to its present day resurgent popularity. From socially unacceptable, to social activity, as an Olympic sport, or as an art form, its transformation has taken over 100 years, very little of which has been documented….until now.
Who were the people who moved this field of dance to where it is today, loved by millions? What are their stories? Who were their mentors and what inspired them? What is their essence? These are some of the questions I will answer in my book entitled, BALLROOM ICONS.
Since 1976 I have been actively involved in ballroom dancing as a participant, coach and judge. It was my vision to create a book that is through its format, a piece of art, and through its content, a true and intriguing documentation of ballroom history. The people who ‘speak’ have influenced ballroom dancing, and its various facets. The early pioneers have passed away and we lose more and more of those who remember the ‘roots’ of this elegant craft. I want to record the knowledge of those great masters before it is lost forever. This is the central theme of the book project I have been working on since 2002.
Until today, a book as comprehensive and poignant on this topic has not been available in any language; most literature is of a technical nature.
Now it is here! I am happy to announce, that Ballroom Icons has been launched in Blackpool, May 25, 2009!
  
We produced a Limited Luxury Collectors Edition of 2500 books which come in a beautiful dark linen box with embossed print and have the following special features (printed in Germany):
 - numbered
- thread bound
- 296 pages
- 64 featured artists/icons
- two dance-history parts
- Römerturm-transparent pages overlaying art photography
- fold out of 200 vintage pictures from the icons in action in their time, dating back to 1910 -’20
- testimonies from former World champions about their favourite icons
- including four (4) random art prints of different icons on special photo-art paper, suitable for framing
- some more special features
Malcolm Hearn from DSI (DanceSport International) is my distribution partner in England and 600 copies have been sold by now. To secure your copy of this Limited Luxury Collectors Edition, just send an e-mail from the contact page.
Thank you and enjoy,
BRIGITT MAYER, Author
12-31-69 | 04:00 pm
A Word from the editor
Ballroom dancing has its roots in the first decade of the 20th century, one of the most accelerated in history. Ballroom’s longevity and resurgent popularity in the 21st century is owed to men and women who, were and are, passionate, talented, benevolent and clever.
Ballroom’s nature is perennial. It carried on during the Great Depression with paying clients, survived in the ‘psychedelic’ 70’s and the disco craze and has given us scores of gifted people with fascinating and often funny stories. Throughout the world today, millions of enthusiasts experience the joy of ballroom dancing.
But who are the men and women who brought this about? Who are the icons of ballroom dancing? What are their stories? We lose more and more of those who remember the roots of ballroom dancing with its emotional, colorful and almost hedonistic nature.
Brigitt Mayer, the author of Ballroom Icons, has been intrigued and passionate about preserving and recording the history of ballroom dancing before it is lost forever. Born and educated in the Rhineland, Germany’s dancing ‘hub’, she began her career at age 16. Due to her innovative and creative approach to ballroom dancing, she received an invitation to perform at Britain’s prestigious Albert Hall. She lives in Canada, teaches and adjudicates worldwide, and had the opportunity and the skill to research and write Ballroom Icons.
Her book, Ballroom Icons with its archival and exquisite original photographs, documents the lives of the men and women who personify ballroom dancing.
MARY JERMYN, editor/writer
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